The Chaucer Review: An Indexed Bibliography (Vols. 1-30)Return to the Subject List
Ebin, Lois A. "The Theme of Poetry in Dunbar's 'Goldyn Targe.'" 7 (1972): 147-59.
Focused on skillfully creating poetry, Dunbar examines poets and poetry in terms of the natural world and the artistic world. In the 'Goldyn Targe,' Dunbar probes the extremes possible in a dream vision. Section I shows how the sun affects the countryside. In the dream portion, the poet makes this effect analogous to the poet's effect on his subject. References to Homer and Cicero shift the readers' focus to the allegory. In Section III, light becomes good writing: the poet should elucidate his matter in the same way which the dream section has examined poets and poetry. Dunbar's view of the relationship between the two appears in his other works as well.
Lynch, Kathryn L. "The Parliament of Fowls and Late Medieval Voluntarism (Part I)." 25 (1990): 1-16.
The Parliament of Fowls distinctly deals with love and courtship. The poem is a dream vision, closely associated with the debate or demande d'amour. Chaucer alters the debate so that the choice is between different degrees, not kinds, thereby problematizing the activity of choosing by feeling and will, not by reason. Chaucer draws attention to the conflict between Nature's power and the will of creatures, showing that individuals do not always guide their behavior by reason. The debate between free will and determinism is the crux of the poem. Such examination reveals Chaucer's consideration of the classical and medieval philsopical discussions of choice and will. The use of Cicero signals to the reader that Chaucer is attempting to deal with love at a more elevated level. Medieval philsophy moved more to voluntarism, giving the will greater freedom. Chaucer also presents intellectualism as "a form of determinism" (9). In this description of determinism, Chaucer also engages Dante, Aquinas, Duns Scotus, and Buridan.
Lynch, Kathryn L. "The Parliament of Fowls and Late Medieval Voluntarism (Part II)." 25 (1990): 85-95.
Chaucer examines free will from three different angles in the Parliament of Fowls. The emphasis of the traditional demande d'amour is not the choice of the formel, but who she chooses. By showing a narrator who hesitates before the gates of love, Chaucer personifies the debate between free will and determinism. Chaucer also refers to Cicero, a philosopher interested in comprehending the relationship between free will and divine foreknowledge. In the fourteenth century the proponents of voluntarism were Duns Scotus and Ockham. Archbishop Thomas Bradwardine opposed them by diminishing man's free will in order to emphasize God's power and knowledge. Duns Scotus separates the intellect and the will since the intellect focuses on an object that determines its own motion. The will is, however, free to determine itself. In the garden of the Parliament of Fowls, readers see the failure of will. The parliament shows, in contrast, the activity of the will. Chaucer also presents the weakness of Nature and Reason in that both are without will. Ultimately, the formel eagle shows how self-motivated beings behave.
Peck, Russell A. "Love, Politics, and Plot in the Parlement of Foules." 24 (1990): 290-305.
The Parliament of Fowls can be interpreted three different ways in light of political situations during Chaucer's lifetime. Identifying specific people with specific characters in the poem is the least fruitful method of approaching the poem. Readers may also interpret the poem In light of political philosophy, connecting the dream-vision material to neo-Aristotelian and Ciceronian materials on the ideal political body. Scrutiny of Chaucer's source, the Roman de la Rose, reveals another possible way to read the Parliament of Fowls . The kind of love presented in the Roman de la Rose is political in that it creates change, but is also changed itself. Chaucer maintains this kind of love in the Parliament of Fowls, and the conflict between love and politics drives the plot. The Parliament of Fowls is also about knowledge, reading, and movement from "narcissism to politics" (298). In the desire for enclosure and in the parliament itself, readers recognize the assertion of willful desire and see how desire can become political catastrophe.