The Chaucer Review: An Indexed Bibliography (Vols. 1-30)Return to the Subject List
Pelen, Marc M. "Machaut's Court of Love Narratives and Chaucer's Book of the Duchess." 11 (1976): 128-55.
Examining poems by Machaut and Froissart may help to illuminate Chaucer's early voice. Most of these poems are dream visions, and they follow a three-part structure in which the dreamer calls up a perfect garden, is met by a guide, and discovers a dispute which will work towards the resolution of his love-trials. Readers can also find this structure in poems like Phyllis and Flora, which is not technically a dream vision. In these French poems, classical references inform the images and the structure, as does a "larger memory of a common marriage theme" (130). Close examination also reveals borrowings from the Roman de la Rose. In the Book of the Duchess, Chaucer includes lines from Jugement dou Roy de Behaingne and Jugement dou Roy de Navarre. The structure of both poems falls into the traditional clerk-chevalier debate. Remede de Fortune integrates Boethian philosophy as a response to Ovidian infatuations. The lover's complaints against Fortune appear in the Book of the Duchess as the complaints of the man in black. Dit de la Fonteinne Amoureuse employs the traditions of complaint and consolation, and Chaucer borrows elements of this poem in the Book of the Duchess. In light of the borrowings from Machaut, readers must hear the Book of the Duchess as a French "love-debate at a Court of Love without a specific plea, contest, or decision" (147).