The Chaucer Review: An Indexed Bibliography (Vols. 1-30)

Dean, James. "Chaucer's Repentance: A Likely Story." 24 (1989): 64-76.
Though present-day readers are skeptical that Chaucer cried in repentance on his deathbed, the placement of the Parson's Tale and the "Retraction" at the end of the Canterbury Tales suggests that Chaucer followed Langland, Mandeville, Deguilleville, and Gower in retraction, but Chaucer changes the tradition. In works by each of the other four, a journey or pilgrimage is followed by episodic experience or storytelling, followed by age and perhaps penitence. Given the prevalence of this pattern, Thomas Gascoigne's account of Chaucer's deathbed repentence is likely to be true.

Hodges, Laura F. "The Wife of Bath's Costumes: Reading the Subtexts." 27 (1993): 359-76.
Chaucer gives a number of details about the dress of the Wife of Bath, including some items assiociated with estates satire such as a headress and new shoes. Handlyng Synne includes a story about pride in which the headress figures prominently as an indication of the most deadly sin. During the Middle Ages, extravagant headgear was also associated with quarrelsome women. The Wife's coverchiefs seem to indicate her submissive station as a wife, but they also proclaim her wealth as a cloth-maker. The Wife's travelling attire is the same as her Sunday clothes in practicality and display of wealth. The Wife's costuming also refers to the fair exterior and foul interior pictured by Guillaume de Deguilleville as associated with pride.