The Chaucer Review: An Indexed Bibliography (Vols. 1-30)

Fritz, Donald W. "The Prioress's Avowal of Ineptitude." 9 (1974): 166-81.
The Prioress's claim of ineptitude indicates that she discusses the topos of the inexpressible. Instead of expressing a time-bound concept, the Prioress's words express concepts of faith. For medieval Christians, God was beyond language and the completion of life. God is, therefore, inexpressible. Augustine, Dante, the Pearl-Poet, Richard Rolle, and Malory also use this topos, as do Ambrose, St. Bonaventure, and Lydgate. The difference between the Latin of the song and the vernacular of the "real" world indicates that the reality of the song differs from the reality in which the young boy lives. This contrast also highlights the difference between the eternal and temporal worlds. Structurally, the stories of Demeter and Persephone and of the "litel clergeoun" are the same.

Lynn, Karen. "Chaucer's Decasyllabic Line: The Myth of the Hundred-Year Hibernation." 13 (1978): 116-27.
For 100 years after Chaucer, the iambic pentameter line seems to have disappeared. Careful examination, however, reveals that it was merely camouflaged by meter and style. Later writers like Lydgate, Skelton, and Dunbar employed an expanded license and added possibilities to the language and meter they used. When subjected to computer analysis, Chaucer's lines seem less metrically complex, whereas those of later authors consistently use more intricate stress patterns.

Zatta, Jane Dick. "Chaucer's Monk: A Mighty Hunter before the Lord." 29 (1994): 111-33.
The Monk's Tale addresses political issues current in Chaucer's time, particularly tyrannical abuses. For his material, the Monk draws on Augustinian political views revealed in De civitate dei. The Monk's material follows the same pattern of examples as used by other writers such as Thomas Aquinas, John of Salisbury, Boccaccio, Dante, Boethius, Lydgate, Jean de Meun and Guillaume de Lorris. Surprisingly, however, all of the Monk's heros are tyrants. The political subtext becomes most plain in the vignettes, but the Monk lacks the ability to interpret these stories for the benefit of his audience. The tale of Nimrod, characterized as "a mighty hunter before the Lord" (Genesis 10:9) is particularly appropriate to Richard's court. Chaucer presents similar political views in the Parson's Tale.