The Chaucer Review: An Indexed Bibliography (Vols. 1-30)

Economou, George. "The Character Genius in Alan de Lille, Jean de Meun, and John Gower." 4 (1970): 203-10.
To appreciate fully the Genius character in medieval literature, readers must understand the tradition behind it. In the work of Alanus de Insulis, Genius serves Nature, excommunicating those who have disobeyed her laws. Nature says that Genius is a mirror image of herself, but the only common features are those relating to Nature's role as procreatrix. Thus when Genius condemns, he functions as part of Nature. Jean de Meun makes Genius a confessor in addition to his role as priest and spokesman. In Jean, the Christian view of love is assigned to Raison instead of Genius and Nature who represent the generative instinct without regard for the convention of marriage. Jean thus separates rationality and sexuality, causing Nature to battle Death at a more organic level. In Roman de la Rose, Venus and her son stand for lust, and thus they oppose Nature and Genius. Gower casts the relationship betwen Nature and Venus in the same way as de Lille did. So, in Confessio amantis, Gower introduces Genius as Venus's clerk, not as Nature's because that is the way Jean treated them.