The Chaucer Review: An Indexed Bibliography (Vols. 1-30)

Garbáty, Thomas J. "Troilus V, 1786-92 and V, 1807-27: An Example of Poetic Process." 11 (1977): 299-305.
When Chaucer asks that his book "subgit be to alle poesye" (300), he looks for poetic inspiration from Virgil, Ovid, Homer, Lucan, and Statius, not Boccaccio. Chaucer creates a comedic end for Troilus and Criseyde by having Troilus ascend to the eighth sphere and laugh in heavenly joy.

Martin, Carol A. N. "Mercurial Translation in the Book of the Duchess." 28 (1993): 95-116.
Chaucer employs figures of Mercury to camouflage gaps in the text. As a result, careful readers become even more painstaking when such a figure appears. Chaucer uses Mercury in Book of the Duchess as Juno's messenger. In order to give Mercury a role, Chaucer changes the story of Seys and Alcyone that he found in Ovid, Statius, and Machaut, though Mercury is not named. Chaucer alters the use of the word "goddess" so that he can install "language itself as the ultimate shape-shifter" (102). Chaucer even invests the dog with symbolic significance, creating a line of dog imagery throughout the poem until the dog materializes. The dog and other Mercury figures guide the reader beyond gaps in the text, "unite thematic and structural elements of the poem" (110), bring messages and guide souls.